And Mozart created the mezzo? In Mozart’s day, the vocal typologies that we know today were yet to be established. A female singer can cover a whole range of expressive and dramatic possibilities in Mozart’s works, and take on the roles of many different characters.

With the help of Stephan MacLeod, at the helm of his ensemble Gli Angeli Genève, Marina Viotti has put together a programme that embraces the diversity and versatility of Mozart’s vocalism.

For a man who started out singing in Parisian cabarets, went on to perform on the world's greatest stages, and already has an impressive number of recordings to his name, what could be more natural than to mark the occasion with a new recording, reflecting the richness and diversity that have shaped his unique carrer?

Dare to re-discover the complete Cello Suites, recorded on an exceptional Gaveau concert piano dating from 1953!

With his last two piano concertos – the introspective and reflective Fourth Concerto and the epic Fifth (“Emperor”)  – Beethoven takes drama to a hitherto unprecedented level. With the Prague Philharmonic Orchestra under Pawel Kapula, Reed Tetzloff gives a fine account of these two very expressive compositions, somewhere between interiority and exaltation.

Discover the new volume in the Wiener Akademie's RESOUND collection: Beethoven's Violin Concerto and Liszt's orchestration of the Andante cantabile, with violinist Benjamin Schmid!

Roberto Alagna pays a highly personal tribute to the immense cathedral of lyric art to which he regularly adds his stone.

Two years after recording the complete melodies of Fauré, Cyrille Dubois joins pianist Tristan Raës once again to pay tribute to French melody, this time dedicated to the Bordeaux composer Louis Beydts. By transporting us into this singular universe, Cyrille Dubois establishes himself as an invaluable performer of the repertoire and a pioneer of French music, with an uncommon mastery of the combination of word and music.