artists music merch communityedit navigation bar Concertos for Baroque Lute (Fasch, Hagen, Kohaut, Kleinknecht) by Miguel Rincón, Il Pomo d'Oro private Exclusive Embed Edit Delete Bulk Edit Digital Album Streaming + Download Pre-order of Concertos for Baroque Lute (Fasch, Hagen, Kohaut, Kleinknecht). The moment the album is released you’ll get unlimited streaming via the free Bandcamp app, plus a high-quality download in MP3, FLAC and more. Download available in 24-bit/96kHz. releases March 21, 2025 Pre-order Digital Album  €19 EUR  or more Send as Gift Limited Edition Compact Disc Edit Compact Disc package image Digisleeve Includes digital pre-order of Concertos for Baroque Lute (Fasch, Hagen, Kohaut, Kleinknecht). The moment the album is released you’ll get unlimited streaming via the free Bandcamp app, plus a high-quality download in MP3, FLAC and more. shipping out on or around March 21, 2025 edition of 1 Pre-order Compact Disc  €19 EUR or more Send as Gift 1. Concerto for Lute in F Major, I. Allegro view 2. Concerto for Lute in F Major, II. Adagio view 3. Concerto for Lute in F Major, III. Tempo di minuetto view 4. Trio in E-Flat Major, I. Allegro view 5. Trio in E-Flat Major, II. Andantino view 6. Trio in E-Flat Major, III. Allegretto ma grazioso view 7. Concerto for Lute in C Major, I. Allegro con brio view 8. Concerto for Lute in C Major, II. Andante di molto view 9. Concerto for Lute in C Major, III. Tantino allegro e grazioso view 10. Concerto for Lute in D Minor, I. Allegro view 11. Concerto for Lute in D Minor, II. Andante view 12. Concerto for Lute in D Minor, III. Un poco allegro view about After being the king of court instruments in the seventeenth century, a symbol of refined entertainment, the lute was gradually abandoned in the following century. A small group of virtuosos and composers nevertheless refused to accept this predicted decline: these musicians moved the epicentre of its influence to the courts of Vienna, Bayreuth and Dresden, adapting the codes and forms of the galant style to the lute, which for the first time integrated the orchestra in its own right. Miguel Rincón and Il Pomo d'Oro bring together concertos by Kohaut, Fasch and Kleinknecht (world premiere), and a trio by Hagen, also recorded here for the first time. These splendid, inventive and virtuoso works reveal the richness of timbre and expression of an instrument that, at the crossroads of the Baroque, the Sturm und Drang and the galant style, was in its last throes.